The circular top inlaid with a variety of intricate marble specimens, with a central inlaid ‘Trinacria’ tablet resting within a burr oak band, inside beaded edge, above a lotus leaf frieze on a carved central column, with boldly carved lion’s paw feet.
With inset pietra dura top with intricately cut brass inlaid stringing, on ebonised column support with handsomely carved lion paw feet.
A George II Carved Mahogany Side Table with contemporary Derbyshire fossil top, above a cavetto frieze and gadrooned apron on pronounced acanthus carved cabriole legs with claw and ball feet. Scottish, c.1755, attributed to Francis Brodie
A George III Mahogany Spider Leg Table of significant scale; the rectangular top with drop leaves, above turned column double gate supports united by knopped stretchers, on incised bobbin feet
An Irish George II Mahogany Card Table. A mid 18th Century mahogany card table, of exceptional colour and patina, having a fold-over top with baize lined interior, with shaped frieze centred by a scallop shell.
With parcel-gilt and purple heart inlay, in the manner of Morel and Seddon. c. 1825
With drop leaf top of exceptional colour and patina, and overall practical and useful scale of 6 foot 9 inches in length, raised on six square gate action legs. Irish, c.1780
A Robustly Drawn George II Mahogany Circular Tripod Table. The circular tilt top with exceptional patination and depth of timber, above a bird cage support and a ring turned column, on wonderfully characteristic and thickly set cabriole legs with pierced angles, on large pad feet. Overall dry, and sleepy surface patina.
A 17th Century Italian Carved Polychrome Table, with Shaped Breccia Capitolina Marble Top. Carved to exceptional naturalistic effect, the base of the present console table takes the shape of a pear tree entwined with vines, its roots firmly planted in a grassy knoll, lush with vegetation. With shaped Breccia Capitolina marble top.
With exceptional burr quality to the veneered top, on unusually shaped pilaster on trefoil base, with carved paw feet. English, c.1820.
A George III Mahogany Drum Table with blind tooled red Moroccan leather panelled top, each triangular and curve fronted drawer labelled alphabetically, and with gilt lacquer swan neck handles of pleasing patina, the box base with ample cabinet space to each side.
With exceptionally coloured plank top, with a gentle soft patina to the oak surface, on turned legs.
A Fine George IV Mahogany Extending Table in the manner of Robert Jupe. The circular molded top with additional concentric outer leaves above four tapering columns united by an under tier on carved and flattened bun feet.
A George II Marble Topped Console Table, the ‘deal’ frame with painted surface, with canted corners, carved egg and dart support on Vitruvian scroll frieze, with heavily and robustly carved scrolling legs, with deeply carved acanthus leaf, on hairy paw feet. With exceptionally figured modern Medicae Violetta marble top.
A George IV Italian Grand Tour Marble Specimen Table, attributed to Gillows. The circular top with radiating bands of semi precious specimens of ancient marbles, including amethyst, malachite, Roman porphry, pietra paescenc, agates and breccia’s, with a central lapis lazuli tablet, inside a verde antico border.
A George II Mahogany and Marble Topped Side Table, With beautifully moulded and figured marble top, possibly Alwalton Marble, on plain frieze with cross banded apron on carved cabriole legs with ball and claw feet.
Spanning just under 9 foot, this impressive hunt table is particularly rare for its paler timber, being constructed from yew wood.
A Exceptional Pair of Irish Late 18th Century Mahogany Serving Tables with a nod to 18th Century Chinese Chippendale form, each with a rectangular moulded top above an open fret cut frieze, raised on four square chamfered blind fret legs.
A George IV Mahogany Drum Table. The revolving top with a tooled green leather insert, fitted with short drawers above split beading, on a panelled triform pedestal, the plinth with bold paw feet.
Of exceptional dark colour, with twin drop leaves, on well turned gate leg supports, terminating in unusually shaped feet.
A George III Mahogany Circular Tilt Top Tripod Table with untouched and gently patinated surface to the top, on birdcage with snap tilt top, with extremely unusual and characterful turned baluster stem, on gently curving tripod legs, on brass casters.
18th Century Mahogany Hunt Table of Smaller Proportions
A George III Circular Mahogany Tilt Top Occasional Table with charmingly shaped legs and pad feet, the top of exceptional colour and dry surface.
A Small and Unusually Shaped George III Mahogany Tripod Table
A Burr Elm and Ebony Inlay Circular Centre Table. Provenance: John Murray, Esq. Polmaise Castle, Stirling, Scotland and thence by descent.
The well figured mahogany top above a fluted frieze, with carved oval satyr masks, resting on square chamfered legs and block feet. English, c.1765
A Mid 18th Century Irish Mahogany Table with Kilkenny Fossil Top. Of exceptional colour, with plain frieze centred by an overscale scallop shell, with leaf carved cabriole legs on trifid feet. With original Kilkenny fossil top.
A George I Gilt Centre Table, with Fleur de Peche Marble Top. Of modest stature, carved in the round for use as centre, side, or occasional table. With shaped fleur de peche marble top.
The oval top with folding sides, on gateleg action, with eight moulded square legs. Provenance: Stepleton House, Blandford, Dorset
A George II Mahogany Side Table, with Drawer, modest, but perfectly formed. With exceptional dark depth of colour to the timber, with overall dry surface, the rectangular top with central drawer and humble little ring handles, with with shaped ears on square cut chamfered legs.
A George III Console Table, with Architecturally Drawn Cluster Column Legs with gently stepped breakfront fluted frieze, with lightly shaped and carved spandrels, with exceptionally executed cluster column legs with acanthus carved capitals.
A 19th Century Oak ‘Mouseman’ Refectory Table from the workshop of Thompson of Kilburn, more colloquially known as ‘Mouseman’, the top with a beautifully muted & ‘adze’ carved top, on typical end legs united with a central floor stretcher, with the trademark carved mouse.
Possibly American, with gently curving serpentine shape with original Bardiglio marble top, with unusual plain and shaped frieze, on very lightly carved cabriole legs on pad feet. With low, grounded posture, which would work particularly well as a low small scale table behind a sofa, or within a smaller entrance hall.
Of generous size, with beautifully measured bone inlay, concertina folding base and separate top.
Of exceptional colour, with central shell frieze, on carved cabriole legs.
A George III Mahogany Console Table with rich and dry surface patina, and depth of colour, with deeply carved fluted frieze and gently shaped spandrels, on square moulded legs. With later Carrara marble top.
Of exceptional colour and well figured top, on gateleg action on square straight legs.
A rare 18th Century tripod table, resting on an acanthus carved base, with ball and claw feet. Irish, c.1760
The rectangular top with gadrooned border, above carved frieze with scrolling foliage centred by characterful and confidently carved lion mask, on cabriole legs with paw feet.
Carefully dry stripped to reveal the soft lustre of the original gilt surface, the table has exceptional carving to the shaped frieze, on wonderfully drawn cabriole acanthus carved legs, with draped and foliate swags, and central female mask.
Carefully stripped to reveal the scintilla remnants of the original black japanned surface; a rare surviving photograph from 1910 captures one of the tables in situ at Glemham Hall, showing an original black surface, with legs picked out in either a gilded surface or pale paint (sitting handsomly beneath two John Vanderbank tapestries which date from circa 1700) – adding a sense of graceful strength to this evocative Chinoiserie decoration at Glemham. The tables are handsomely carved, raised on an arcaded frieze with acorn drop finials, with octagonal baluster feet united by shaped stretchers, on bun feet. With original Carrara marble tops.
Of rich and dark timber, the tray top resting above a shaped apron, the whole table finished on both sides, with modestly carved central shell. On shell carved, slenderly drawn cabriole legs, on faceted pad feet.
The top fitted with three tiers, the 1st for back backgammon and writing, the second for cards and the third for tea, resting on cabriole legs with pad feet, retaining the most fantastic colour and untouched patina. English, circa 1720
With statuary marble white tops, above a gilt gesso guilloche banded frieze with bead and leaf border, on elegangly tapering carved acanthus and ribbon tied legs.
A Highly Important and Handsomly Drawn Pair of Late George II Mahogany Side Tables with the Original Egyptian ‘Aswan’ Granite Tops in the Manner of Sir William Chambers.
A George II Mahogany Console Table with well figured mahogany top, above plain frieze on leaf carved cabriole legs and ball and claw feet.
A George II Mahogany Side Table, with Highly Figured “Fossil Brown” Marble Top of quite and humble form, with plain shaped frieze above an apron incorporating a modestly scaled central carved scallop shell, with carved acanthus cabriole leg on pad feet. The surface patina matte and ‘dry’, with a sleepy untouched quality.
A George II Carved Mahogany Oval Gateleg Drop Leaf Table with well figured top on acanthus carved cabriole legs on ball and claw feet. c.1755
A George II Parcel Gilt Console Table in the Manner of William Kent, from the Clermont Club (44 Berkeley Sq.) The table with lobed and leaf carved ogee moulding and scrolling acanthus carved frieze with central lion’s mask, with oak leaf carved swags on carved cabriole legs and well carved lion paw feet, and beautifully figured 18th Century fleur de peche marble slab top.
With carved shell apron and acanthus carved cabriole legs terminating in paw feet.
With circular reeded top above a turned and reeded column on extraordinary ancanthus carved and animalistic legs and paw feet. Irish c.1825
A George II Red Walnut Gateleg Drop Leaf Table, the oval top a rectangular frame with a single drawer, resting on cabriole legs, with an animalistic carved hoof foot. English, Circa 1730
With bold and handsomely carved oak leaves and acorn across the apron, and enormously characterful central half lion mask, with carved leaf and shaped cabriole legs on paw feet, with original Kilkenny marble top.
The rectangular top with rounded corners and moulded edge above a shaped frieze carved with scrolling acanthus,cross hatching, centered by a large scallop shell standing on four acanthus carved cabriole legs terminating in paw feet with carved fetlock.
With bold and handsomely carved oak leaves and acorn across the apron, and enormously characterful central half lion mask, with carved leaf and shaped cabriole legs on paw feet, with original Kilkenny marble top.
A Charles II giltwood and marble topped console table c.1680, on bold ‘S scroll’ supports, having central figurative decoration with fior di pesco marble top.
A George II White Painted Console Table, the original breche violette top, of serpentine form, sits above a handsomely carved Vitruvian scroll frieze, backed by pounced detailing. The table is centred by a scrolling and foliate cartouche, heraldically charged by a bridled bear ermine’s head – the crest of the Lascelles Family, later the Earls of Harewood – with extensive and exuberant swags of abundantly fruiting vines, and carved acanthus scroll details.
The rectangular top above eight frieze drawers, raised on gothic end supports and chamfered legs, the ‘H’ stretcher with pegged ends on chamfered block feet on enormously cast brass casters.
Of unusual form with Carrara marble top above a gadrooned frieze on volute outscrolled legs.
A George I Gesso Table with Breche de Vendome Marble Top. The frieze with acanthus leaf carving, with carved cabriole legs on pad feet.
The frieze with running incised Greek Key pattern, the legs decorated with intricate fret work with heavy chamfered detail to the rear, the original top decorated with gadrooned carved ornamentation.
With gilt brass carrying handles, c.1730
A George IV Well Figured Mahogany Circular Dining Table in the Manner of Jupe. The top with six double moulded leaves, resting on four robust turned acanthus carved supports, with a central platform and fluted bun feet. English, c. 1830
With lotus flower carved step, on trefoil base and scrolling feet.