Desks
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A Late 19th Century Writing Desk, In the Regency Manner
With blind tooled and panelled Moroccan red leather top, over deeply set modified greek key frieze, with flush mount drawers, with quintessential cast gilt lacquer lion mask corner mounts, on reeded and tapering legs, on brass casters.
A Late Regency Mahogany Writing Desk
With leather inset top and six drawers, on carved reeded legs with original inset brass casters. The boldly drawn leg of this table bears striking resemblance to the dining table situated in the saloon at Blenheim Palace.
A George III Mahogany Partner’s Desk
With tooled black leather inset top above six frieze drawers, above opposing cupboards enclosing further drawers.English c.1770.
A George IV Mahogany Kneehole Desk
Featuring Pembroke leaves, leather tooled top with writing stand, ten drawers on pediment base, spandrel carved kneehole, and inset casters.
A George III Mahogany and Black Leather Topped Partner's Desk
With three drawers to each side, one side with three graduated drawers to each pedestal, the opposing side with two cupboard doors enclosing three graduated drawers, and beautifully inset black morocco leather top.
A George III Mahogany and Red Leather Topped Writing Table
With adjustable ratcheting writing slope, three front drawers and brass handles, on straight mahogany legs. English, c.1760
An Early 19th Century Gothic Oak desk, after a Design by Thomas Chippendale
A copy of an almost identical original library table made for the Countess of Pomfret and her Gothic Revival townhouse, Pomfret Castle, on Arlington Street. Latterly owned by W.G. ‘Single Speech’ Hamilton (1729 – 1796), a statesman and an Irish MP, and his descendants.
A George II Mahogany Pedestal Partner’s Desk
With tooled black leather inset top above six frieze drawers, above opposing cupboards enclosing further drawers. English c.1770.
A George III Mahogany Partner’s Desk, in the manner of Chippendale
A magnificent mid-18th Century Chippendale mahogany partners' desk with a Moroccan leather top, three drawers, and brass swan neck handles on concealed castors.
Bookcase Cabinets
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An Early 19th Century Mahogany Chiffonier
With shaped, shelved and fixed gallery structure, fitted with a single long frieze drawer and with cupboard below, enclosed by a pair of doors, on short turned tapered feet.
A Pair of Early 19th Century Bedside Cabinets with Scagliola Tops
This striking piece features veined green scagliola tops, mahogany cabinets with drawers, grilled shelves, and green faux bronze feet on plinth bases for a bold statement.
A Pair of Mahogany Waterfall Bookcases, by Gillows of Lancaster
This pair of mahogany waterfall bookcases by Gillows features four shelves, reeded supports, and historical significance, showcasing elegant Regency craftsmanship.
A Magnificent Scale and Architecturally Drawn, Early 19th Century Pollard Oak Bookcase
This c. 1830 English bookcase, crafted in pollard oak veneer with ebonised accents, features a double moulded cornice, pillar supports, and a four-door breakfront base.
An 18th Century Anglo-Chinese Coromandel Cabinet
This magnificent 18th-century cabinet features 17th-century Chinese export coromandel panels, japanned decoration, mirrored doors, ebonised drawers, and English hardware on bracket feet.
A George II Lacquer Cabinet on Chest
This elegant piece features a double dome cornice with ball finials, cabinet doors, and a secretaire chest with graduated drawers, from the estate of artist Priscilla Fursdon.
A Mid 18th Century Japanese Lacquer Cabinet
This Japanese lacquer cabinet features “Nashi-ji” pear skin pattern decoration, crafted with metal powders like gold and silver, and comes on a later stand, in untouched condition.
An Important Pair of Mid 18th Century Mahogany Bookcases, by John Belchier
An important pair of mid-18th century mahogany bookcases by John Belchier, with broken pediment, bevelled glass doors, adjustable shelves, and original brass handles.
A Large Early 19th Century Mahogany Architectural Bookcase
This piece features a stepped cornice, grilled doors, adjustable shelves, and a stamped mark by M. Willson. Provenance: Drapers Hall, London, purchased c.1844.
Chests
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A George I Black Lacquer Trunk
English, c.1720. In overall country house condition, with muted ‘untouched’ surface condition, with extensive gilt lacquer decoration depicting fantastical beasts, birds, and chinoiserie scenes.
A Pair of Regency Mahogany Chest of Drawers
Strong proportions, bow fronts, two short and three graduating drawers, turned pilaster ends, ebony inlay, and brass handles for a refined, graphic design.
A Large 18th Century Mahogany Blanket Chest
A monumental blanket chest showcasing superb timber quality, original brasswork, knobs, escutcheons, swan neck handles, and robust side carrying handles.
A George III Mahogany Serpentine Chest of Drawers, c.1765
A very fine George III chest of drawers, of pleasingly tight form and displaying an exuberantly serpentine front. With original gilt bronze handles in the Rococo style, foliate carved leading edge and canted corners, on ogee bracket feet.
An Early George III Burr Yew Chest on Chest
Having highly unusual diamond-shaped veneers, with brushing slide and canted corners on bracket feet.
A Large George III Blanket Chest on Stand
With tall posture, raised on original stand with two long drawers and brass casters, featuring dry mahogany patina and untouched gilt lacquer handles.
A George I Lacquered Chest
A chest of archetypal form and confident proportion, raised on bracket feet. The detailed decoration features figures in silk robes, trees and the sleek forms of flying birds, picked out from the dry, sleepy Urushi 漆 lacquer exquisitely.
An 18th Century Coromandel Trunk
Beautifully incised coromandel panels depicting a hunting trip, amidst mountains, flowers, foliage, and figurative scenes, with a large pierced brass escutcheon and lock.
A George III Mahogany Chest of Drawers, with Ball and Claw Feet
Handsomely drawn, raised on ball and claw feet, with four long drawers, untouched mahogany surface, foliate-carved top, and original brass handles and side handles.
Fire Accessories
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An Outstanding Quality & Overscale Regency period Sarcophagus Grate in the Style of Thomas Hope
Outstanding Quality & Overscale Regency period Sarcophagus Grate in the Style of Thomas Hope.
A Monumental Scale Regency Period Sarcophagus Hob Grate, with Overscale Lion Detailing
A Monumental Scale Regency Period Sarcophagus Hob Grate, with Overscale Lion Detailing.
A Late 18th Century German Silver Serpentine Fender
Cut in German Silver, possibly Paktong, the fender features very fine and charming engravings throughout.
An Irish 18th Century Brass Register Gratele
An Irish 18th Century Brass Register Grate with some later adjustments to the dimensions.
A George III Style Steel Fire Basket with Original Cast Iron Fire Back
The burning area decorated with four cannons stopped with cannonballs, above a delicately pierced fret in the manner of Thomas Chippendale, flanked by canted C scroll legs capped by overscale ball finials.
An Imposing 19th Century Steel Fire Grate, in the George II Style
An Imposing 19th Century Steel Fire Grate, in the George II Style.
A George III Adam Period Brass Hob Grate
A George III Adam Period Brass Hob Grate.
An Early 19th Century Hob Grate, in the manner of George Bullock (AFB48)
An exceptional c.1820 Grecian revival hob grate, over-scale with restored original surface and unpolished bronze footblock details.
A Very Fine & Low Proportioned 18th Century Fire Grate
A Very Fine & Low Proportioned 18th Century Fire Grate from Ashford Castle.
Objects
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A Pair of William IV Canterburys
A Pair of William IV Canterburys
A Pair of Late 18th Century Blue And White Vases, c.1780
A Pair of Late 18th Century Blue And White Vases, c.1780, of small baluster form, and lightly decorated with subtle symmetrical patterning.
A Fine and Rare Mid 19th Century Architect’s Model of a Cotswold Country House
A Fine and Rare Mid 19th Century Architect’s Model of a Cotswold Country House. The model inscribed in pencil; “John Bateman Builder, dated 1846″
An Early 19th Century Belgian Black and Rosso Antico Marble Tazza
An Early 19th Century Belgian Black and Rosso Antico Marble Tazza with lobed reeded body on waisted socle and stepped plinth base
A Late 19th Century Mother of Pearl Model of Aston Hall, Birmingham
A Late 19th Century Mother of Pearl Model of Aston Hall, Birmingham. Of exceptional quality, the mother of pearl intricately carved to represent every brick, window, and castellation of this magnificent house.
A Pair of 19th Century Blanchard Terracotta Eagles, stamped
A Late 19th Century Mother of Pearl Model of Aston Hall, Birmingham. Of exceptional quality, the mother of pearl intricately carved to represent every brick, window, and castellation of this magnificent house.
An 18th Century Japanese Export Blue and White Vase
An 18th Century Japanese Export Blue and White Vase with gently curving shape and soft blue tones, depicting flowers and reeds, with repeated pattern borders, and stapled repairs.
An Unusual 19th Century Painted Hat and Coat Stand
An Unusual 19th Century Painted Hat and Coat Stand with turned uprights and trestle bases, with seven pegs. English c.1850
An 18th Century Longcase Clock
An 18th Century Longcase Clock. The case with broken-arch top and stepped caddy, cresting above foliate frets and simulated tortoiseshell hood pillars, the broken arch trunk door decorated with three prints of scenes from Don Quixote (three original labels describing the scenes, pasted on the inner side of the red washed interior door), the plinth decorated in gilt chinoiserie form within a simulated tortoiseshell border, the whole profusely decorated with flowers, fruit and gilt diaper work.
Works of Art
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A Set of Two Early 18th Century English Crewelworks
A Set of Two Early 18th Century English Crewelworks with sprawling and refined floral and twisting vine pattern, of subtle overall design.
An 18th Century Painting of ‘Scamp’, the Duke of Devonshire’s Racehorse; signed John Wootton
A charming equestrian painting depicting the third Duke of Devonshire’s beloved racehorse ‘Scamp’, with an accompanying jockey.
An Early 18th Century Oil on Panel Capriccio of Architectural Ruins
An Early 18th Century Oil on Panel Capriccio of Architectural Ruins In later frame with small brass hanging loop, showing an arcadian landscape setting, with shepherds and their dogs amongst small woodland trees, against towering classical ruins and bruising sky.
Oil on Canvas; A Hunting Scene, Circle of Francis Sartorius I (British, 1734-1804)
This bucolic representation of the English countryside, animated by a hunting scene in the foreground, is characteristic of the tradition for sporting pictures that developed in Britain across the eighteenth century and counted among its exponents masters of the calibre of George Stubbs (1724-1806) and, into the twentieth century, Sir Alfred Munnings (1878-1959).
A Pair of Late 17th Century ‘Tree of Life’ Crewelwork Bed Hangings
On linen ground, with central undulating stalk with perched birds and blossoming berry laden branches, embroidered in rich and colourful ‘worsted’ wool yarns. Of portrait, rectangular form.
Oil on Canvas; A Large Scale Landscape Scene Depicting a Leopardess, Lioness, Wolf & Hare
A mid 17th century large scale oil on canvas depicting a Leopardess, a Lioness and a Wolf toying with a Dead Hare in an Arcadian landscape; in the style of the Dutch Golden Age ‘Animaliers’ and the circle of Frans Snijders.
An 18th Century Needlework Picture
An 18th Century Needlework Picture with a pastoral scene of a quintessential English country house, with vernacular but stylised depictions of birds, clouds, a windmill, sheep and other farm animals, horses, and farmyard workers amongst the wheat fields.
One of a Pair of 19th Century Six Panel Paper Screens, depicting Tethered Hawks, in the manner of Soga Chokuan (5328)
One of a Pair of 19th Century Six Panel Paper Screens, depicting Tethered Hawks, in the manner of Soga Chokuan (5328). Combined twelve gouache painted scenes of tethered hawks, laid down to form this six panel screen, with pigment and ink on rice paper, surrounded by Japanese silk bordered wooden frame.
A Single Late 19th Century Six Panel Paper Screen, depicting Tethered Hawks, in the manner of Soga Chokuan (5327)
A Single Late 19th Century Six Panel Paper Screen, depicting Tethered Hawks, in the manner of Soga Chokuan (5327). Six gouache painted scenes of tethered hawks, laid down to form a six panel screen, with pigment and ink on rice paper, surrounded by thickly set gold leaf border, and Japanese silk outer bordered wooden frame.
Carpet
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A Modestly Scaled 19th Century Oushak Carpet (5307)
A wonderful example of a modestly Scaled 19th-century Oushak Carpet with a beautiful contrasting palette of indigo, ochre, and burnt sienna.
A Large Late 19th Century Turkish “Waterloo Oushak” (5183)
A beautiful, large scale, late 19th-Century Turkish “Waterloo Oushak” Carpet with a large central motif, ground of rich burnt Sienna with contrasting indigo and gold.
A Late 19th Century Oushak Carpet (5774)
The muted gazpacho red field, with all over graphic medallion and flower head decoration, within blue and golden ochre border.
A Late 19th Century Ziegler Carpet (5562)
A Late 19th Century Ziegler Carpet (5562)
An Enormous Scale Late 19th Century Mahal Carpet (4638)
This magnificent oversized carpet features a deep navy field with palmette design in jade, saffron, and ochre, bordered by intricate foliage and flowers, showing a gentle patina.
An Impressive Scale Late 19th Century, Early 20th Century Oushak Carpet (4814)
This 21-foot late 19th/early 20th-century Oushak carpet features medallions, flowerheads, and foliate details on a crimson ground, with yellow and green accents. Pleasing wear, structurally stable.
A Late 19th Century Oushak Carpet (5218)
An exquisite example of a late 19th-century Oushak carpet. A traditional design with intricate motifs with an iron ore red, coral and tangerine palette.
A Late 19th Century Oushak Carpet (5220)
A beautiful example of a late 19th-century Oushak carpet. With traditional intricate border motifs, in a muted palette of amber, coral, and burnt umber.
A Late 19th Century Oushak 'Ghiordes' Carpet (5545)
A Late 19th Century Oushak 'Ghiordes' Carpet with desirably soft colours, with spacious overall design.
Antique Furniture Lighting
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Antique Mirrors
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A Mid 18th Century Carved Oval Mirror
A Mid 18th Century Carved Oval Mirror. Extensively and confidently carved, with generously formed central Venus mask with large scallop shell, with abundant foliate carving incorporating flowers, acanthus, and pomegranate.
A George II Giltwood Pier Mirror The broken swan neck pediment
The broken swan neck pediment, with rosettes and acanthus leaf carving, centred by an armorial cartouche, depicting a turreted crest incorporating three perched birds, above an acanthus carved frieze, with central mercury plate inset with gadrooned frame, with trailing oak and acorn leaf, with a central scallop shell apron, carefully dry stripped back to reveal the original soft lustrous giltwood surface. Partially torn paper label to the back, ‘G. Trollope & Son.’.
A George II Large and Architecturally Drawn, White Painted Mirror
A George II Large and Architecturally Drawn, White Painted Mirror of broad and generous proportions, the frame with re entrant corners and volute bottom scroll, with unusual modified scallop shell carved egg and dart, with sparse flower and acanthus carved elements, with confidently carved vitruvian scroll rectangular block apron.
A Rare mid 18th Century Irish Carved Mahogany Pier Mirror
A Rare mid 18th Century Irish Carved Mahogany Pier Mirror with parcel gilt eagle cresting a well patinated rectangular mercury plate, within extensive fretwork and scrolling mahogany frame. Irish, c.1755
A George III Giltwood Mirror
A George III Giltwood Mirror attractively slight in form, with subtle shaping to the carved giltwood decoration, with Prince of Wales feather cresting and original bevelled mercury plate.
A Small Scale Giltwood Convex Mirror
A Small Scale Giltwood Convex Mirror with rope carved frame, and inner rope twist giltwood slip, with clear and lightly curving convex mercury plate.
An Early George II Carved & White Painted Mirror
An Early George II Carved & White Painted Mirror. The oval plate in pierced frame carved with acanthus, ‘c’ scrolls and confidently executed foliate detailing, with pierced scallop and acanthus carved cresting. Enclosing possibly later mercury mirror plate.
A Regency Carved Giltwood Convex Mirror
A Regency Carved Giltwood Convex Mirror
A Superb Pair of George I Giltwood Pier Mirrors, formerly in the collection of Walter P. Chrysler
This English mirror (circa 1725) features a giltwood frame with scroll arched pediment, acanthus shell, bevelled plates, and intricate foliate strapwork, with an acanthus leaf apron.
Antique Seating
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An Exceptional Pair of Early George III Mahogany Gainsborough Chairs
An Exceptional Pair of Early George III Mahogany Gainsborough Chairs of robustly drawn form; the frames displaying beautifully executed blind fretwork, with fretted spandrels on original leather casters. English c.1765
A Pair of George III Mahogany Gainsborough Armchairs and Accompanying Stool
The arms and legs with exceptional blind fretwork carving, on leather casters with stitched hessian upholstery. In the manner of William Masters. Provenance: The Oxley family, The Hall, Ripon, Yorkshire and by family descent.
A Pair of Regency Parcel Gilt Sofas, formerly at Ditchley Park
A Pair of Regency Parcel Gilt Sofas, formerly at Ditchley Park. An elegant and highly ornate pair of Regency-era settees, with a richly storied provenance.
A Small Regency Oak Hall Bench, in the manner of Bullock
A Small Regency Oak Hall Bench, in the manner of Bullock
An Early 19th Century Mahogany Side Chair in the manner of Gillows
An Early 19th Century Mahogany Side Chair in the manner of Gillows.
A Pair of George II Window Seats
English with needlepoint upholstery and generously out scrolling form on square mahogany legs with a central stretcher.
A Set of Twenty Regency Dining Chairs
A Set of Twenty Regency Dining Chairs each with a tablet top rail carved with anthemion on either side above a reeded horizontal splat and fluted uprights, on hessian covered seat, above turned and reeded tapering front legs.
A Harlequin Set of Six Yew Wood Windsor Armchairs
A Harlequin Set of Six Yew Wood Windsor Armchairs
A Good Set of Mid 18th Century Mahogany Metamorphic Library Steps
A Good Set of Mid 18th Century Mahogany Metamorphic Library Steps opening to reveal four treads, with brass handle and casters. English, circa 1750.
Antique Tables
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A William IV Specimen Marble Top Table
The circular top inlaid with a variety of intricate marble specimens, with a central inlaid ‘Trinacria’ tablet resting within a burr oak band, inside beaded edge, above a lotus leaf frieze on a carved central column, with boldly carved lion’s paw feet.
An Early 19th Century Specimen Marble Topped Occasional Table
With inset pietra dura top with intricately cut brass inlaid stringing, on ebonised column support with handsomely carved lion paw feet.
A George II Carved Mahogany Side Table
A George II Carved Mahogany Side Table with contemporary Derbyshire fossil top, above a cavetto frieze and gadrooned apron on pronounced acanthus carved cabriole legs with claw and ball feet. Scottish, c.1755, attributed to Francis Brodie
A George III Mahogany Spider Leg Table
A George III Mahogany Spider Leg Table of significant scale; the rectangular top with drop leaves, above turned column double gate supports united by knopped stretchers, on incised bobbin feet
An Irish George II Mahogany Card Table
An Irish George II Mahogany Card Table. A mid 18th Century mahogany card table, of exceptional colour and patina, having a fold-over top with baize lined interior, with shaped frieze centred by a scallop shell.
A Late Regency Birdseye Maple Table
With parcel-gilt and purple heart inlay, in the manner of Morel and Seddon. c. 1825
A Late 18th Century Mahogany Hunt Table
With drop leaf top of exceptional colour and patina, and overall practical and useful scale of 6 foot 9 inches in length, raised on six square gate action legs. Irish, c.1780
A Robustly Drawn George II Mahogany Circular Tripod Table
A Robustly Drawn George II Mahogany Circular Tripod Table. The circular tilt top with exceptional patination and depth of timber, above a bird cage support and a ring turned column, on wonderfully characteristic and thickly set cabriole legs with pierced angles, on large pad feet. Overall dry, and sleepy surface patina.
A 17th Century Italian Carved Polychrome Table, with Shaped Breccia Capitolina Marble Top
A 17th Century Italian Carved Polychrome Table, with Shaped Breccia Capitolina Marble Top. Carved to exceptional naturalistic effect, the base of the present console table takes the shape of a pear tree entwined with vines, its roots firmly planted in a grassy knoll, lush with vegetation. With shaped Breccia Capitolina marble top.
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