18th-century Palladian chimneypiece in statuary and Siena marble, after Inigo Jones. Features Apollo mask, drapery swags, and acanthus details. Circa 1740–45.
This early 19th-century chimneypiece in white statuary marble with Siena inlays features Ionic pilasters, a fluted frieze, and Greek revival style, reflecting classical proportions.
This George III carved pine and limewood chimneypiece features acanthus leaves, an Arabesque vase tablet, classical urns, and vine-draped jambs with a floral pattern.
This fine George III carved pine chimneypiece by John Carr features acanthus detailing, originally from Constable Burton Hall, North Yorkshire, commissioned in 1768.
This Queen Anne blackened sandstone chimneypiece features fielded panels, arched jambs, and a keystone frieze with concentric leaf carving. Original insert available.
This Irish Queen Anne slate chimneypiece features a delicate scallop motif, symbolizing fertility, with elegant moulded jambs and frieze design.
This late Georgian-style chimneypiece in white statuary marble features rare Blue-John stone inlays with Neoclassical urns and anthemion details, inspired by Robert Adam.
This late 18th-century statuary marble chimneypiece in the style of Robert Adam features a medallion, urns, beaded chains, and bell-flower chains, showcasing classical elegance.
This rare mid-18th-century English chimneypiece in the manner of Sir Robert Taylor features Rococo carvings in white marble and jasper, with dynamic S-scroll jambs.
This Irish late 18th-century chimneypiece in white statuary marble features reeded details, a classical urn, acanthus leaves, and lion head corner blocks.
This 18th-century Irish Palladian chimneypiece in Black Kilkenny marble features fossil-packed limestone, a tiered shelf, and scrolling bracket jambs for simple beauty.
This 18th-century Irish Carrara marble chimneypiece features a gently curved header, fielded panel jambs, and a keystone impression for a graceful design.
This George III chimneypiece features white statuary marble and high-quality Sicilian jasper inlays, with Ionic pilasters and a breakfront shelf.
This 18th-century Irish white statuary marble chimneypiece features Pietra Dura inlays and a central tablet depicting the "Judgement of Solomon."
Unique 18th-century Palladian chimneypiece in parcel-gilt and Portoro Nero marble. Features Rococo vase, broken pediment, and detailed carvings.
Superb late 18th-century Italian marble chimneypiece in the style of Lorenzo Bartolini, featuring griffins, urns, and exotic foliage.
Late 18th-century neoclassical chimneypiece in statuary and Convent Siena marbles, featuring a carved putto, urns, and detailed frieze panels.
Elegant 18th-century statuary marble chimneypiece with granite inlay, featuring a lion’s head tablet, Roman shield decorations, and raised foot blocks.
Empire-period Rosso Antico chimneypiece with Roman Emperor portrait reliefs in marble. A grand neoclassical statement with historical significance.
Finely carved late Georgian pine chimneypiece featuring a twisted moulding, quatrefoil panels, egg and dart motif, and fluted border.
Unusual 18th-century Scottish chimneypiece in statuary and black marbles. Features a Prince of Wales motif, fluted jambs, and thistle blockings. Circa 1795.
Exquisite 1780s Neoclassical chimneypiece in white statuary marble with Tinos inlays. This Robert Adam design features urns, sphinxes, and Ionic pilasters.
Late 18th-century statuary marble chimneypiece with Greek key fretwork, jasper inlays, and Doric guttae. Provenance: Chester Terrace, Regents Park.
George II carved pine and limewood chimneypiece with neoclassical form, waterleaf moulding, and acanthus scrolls on the central tablet.
Superb late 18th/early 19th-century statuary marble chimneypiece with high-relief putti, acanthus, laurel wreaths, and caryatids. Inspired by Lorenzo Bartolini's neoclassical designs.
Late 18th century pine and gesso chimneypiece with fluted pilasters, Venus or Aurora on a chariot, vineyard swags, and oak leaf details.
Late 18th century George II pine and gesso chimneypiece with breakfront shelf, crossed claret jugs, flaming torches, and Adam-style urns.
Finely carved Irish George III chimneypiece in white marble, with intricately inlaid roundels, sphinx urn, and ribbon-tied drapery. Circa 1780.
Rare mid-18th century Irish statuary marble chimneypiece, circa 1750. Unique design with rococo details and scallop shell. Origin: 44 Stafford Street.
Exquisite early Georgian chimneypiece in white statuary marble with breakfront shelf, moulded panels, and finely carved paterae. Inspired by Inigo Jones and Neo-Palladian design.
Impressive 18th-century Palladian fireplace in statuary, jasper, and Sienna marbles. Designed by Sir Henry Cheere, circa 1768–1772.
Early 18th-century Carrara marble fireplace, circa 1710. Features a central keystone with flutes and geometric incised moldings on frieze and jambs.
Magnificent early 19th-century Irish chimneypiece in statuary marble by the Darley Brothers, featuring Zeus and Greco-Roman gods, upheld by Imperial eagles.
George III Kilkenny marble chimneypiece with elegant lines, fielded panels, and stopped flute keystone. Features paterae and refined early Georgian design.
Outstanding mid-18th century fireplace in statuary and Sienna marbles with tiered shelf and finger-fluted frieze. Inspired by William Kent.
Late 18th-century Scottish Neoclassical pine and gesso chimneypiece. Features the Graces disarming Cupid, with Diana and a peace metaphor. Detailed frieze and finials.
Bold George II Palladian chimneypiece in white statuary marble, circa 1740s. Classic Inigo Jones/Kent design with crisp mouldings and foliate details.
Early 18th-century George I frame chimneypiece in dark Italian Bardiglio marble with statuary bed mouldings and fielded panels.
An important early 20th-century English Neoclassical chimneypiece in statuary and Siena marble, celebrating the end of WWI. Circa 1920, with allegorical Abundance plaque.
Late 18th-century Neoclassical chimneypiece in statuary and Siena marbles. Features a wheat wreath, thyrsi, and ivy. Transitional Adam to Regency design.
Refined George I chimneypiece in Swaledale marble featuring fossilized crinoids and corals, with low-profile foot blocks and modern, sleek jambs.
Refined George III carved pine chimneypiece with Rococo elements, breakfront shelf, quatrefoil panels, scrolling foliage, and C-scroll trusses.
18th-century stripped pine chimneypiece of Palladian form with acanthus-carved corbels and uncarved frieze, highlighting the wood's subtle grain and rich tone.
16th-century Roman chimneypiece in Giallo di Siena, Africano, and Portoro Nero marbles. Elegant design reflects Renaissance opulence and pietre dure tradition.
Irish Regency Bardiglio marble chimneypiece with free-standing Doric columns, reeded frieze, and moulded shelf. Similar to John Edward Carew's work at Petworth House.
Elegant 19th-century Neoclassical chimneypiece in statuary and Verde Antico marble. Features a tiered shelf, Greek key frieze, and oval paterae decoration.
Delicate 18th-century English pine chimneypiece with tiered shelf, dentils, egg and dart, acanthus frieze, and leaf-carved jambs. Designed to stand on marble foot blocks.
1780s neoclassical pine and gesso chimneypiece with breakfront shelf, acanthus motifs, and a central tablet inspired by Kauffman’s “Telemachus and the Nymphs of Calypso.”
Early 18th-century George I Irish Kilkenny marble chimneypiece with fluted keystone, fielded panels, and original footblocks. Classic Georgian elegance.
Extremely refined 18th-century statuary marble chimneypiece by James Paine, featuring a breakfront shelf, Palmyra ornaments, and ram's heads. Provenance: Lord Melbourne's London House.
Exquisite Adam period chimneypiece in white Statuary marble, featuring a pie-crust shelf, floral paterae, and finely carved scrolls and foliage.
Superb George III neoclassical fireplace (circa 1785–95) with Siena and statuary marble, painted copper panels, and faux porphyry. Attributed to George Brookshaw.
Elegant Neoclassical chimneypiece in the Adam Wyatt manner, statuary and Sienna marble, featuring a carved urn tablet and fluted details.
Imposing George III Neoclassical chimneypiece in statuary and Brocatelle marbles, attributed to Sir William Chambers, circa 1765-1770.
Elegant statuary marble chimneypiece after Sir John Soane. Architectural design with concave and convex flutes, central tablet, and ribbed jambs.
Irish George III neoclassical chimneypiece (circa 1775) in statuary marble with Siena inlays. Features infant Hercules, cupids, and thyrsus-carved jambs.
Early 18th-century George I Irish Kilkenny marble chimneypiece with fluted keystone and fielded frieze panels, resting on original footblocks.
Elegant 18th-century chimneypiece with a breakfront shelf, carved frieze featuring Aesop’s Androcles and the Lion, and relief figures of Music and Poetry.
Impressive late 18th to early 19th-century Neoclassical chimneypiece in statuary marble, featuring a Wedgwood ‘Bacchanal’ tablet with cherubs.
Late George III pine and limewood chimneypiece with large proportions, featuring a finely carved frieze with floral panels and finger flutes.
Elegant Queen Anne period limestone chimneypiece with panelled jambs, frieze, and a refined central keystone. Timeless design from the 1700s.
Georgian Siena and statuary marble chimneypiece with breakfront shelf, white tablet, and ogee corbel brackets. Formerly Admiral Beatty’s, London.
Robust Regency chimneypiece in statuary and Sienna marbles. Features a statuary tablet with a tazza of summer flowers and fluted sienna panels. Circa 1800.
Late 18th-century Neoclassical chimneypiece in statuary and Siena marble. Features a statuary tablet with urn, swag, and Siena inlaid frets and flutes.
Late 18th-century pine and gesso neoclassical chimneypiece with slender jambs, breakfront shelf, festoons, beading, waterleaf molding, and Adam-style urns.
George III fireplace in statuary, Sienna, and Jasper marbles, featuring a Virtue vs. Vice tablet, circa 1765. Characterful design with Ionic columns.
Exceptional late 18th-century Irish Neoclassical chimneypiece with Scagliola inlay. Features Britannia, Bacchic swags, and detailed harvest carvings.
Magnificent mid-18th century statuary marble chimneypiece with carved foliate pilasters, Sicilian Jasper frieze, and Sienna marble accents.
Exquisite late 18th-century statuary marble chimneypiece in Adam style, featuring garlands, ribbons, and Neoclassical urns. A refined example of Robert Adam’s Neoclassicism.
Refined Adam period chimneypiece in white statuary marble. Features sphinxes, lotus leaf clasps, and paterae, with similar designs at Osterley House.
Late 18th-century George III statuary marble chimneypiece with Verde Antico inlays, fluted jambs, and a relief of Hercules between Virtue and Vice. Inspired by Poussin’s "The Choice of Hercules."
Finely carved late 18th-century George III pine chimneypiece with Rococo style: breakfront shelf, floral carvings, and ornate scrolls.
Refined early Georgian chimneypiece with Old English and Bardiglio marble, Ionic capitals, and Inigo Jones-inspired linear design.
Rare George II Palladian fireplace in Breccia Violette marble with statuary details. Features fruit and flower carvings and rococo satyr heads. Circa 1740-50.
Refined late 18th to early 19th-century chimneypiece in Bardiglio and white marble. Features a cameo of a pearl-adorned woman, framed by olive branches.
Mid-18th century carved pine chimneypiece with an egg-and-dart shelf and a unique barrel frieze of running laurel bound in ribbon.
Elegant 18th-century carved pine chimneypiece with a pedimented mantel, featuring acanthus leaves, dentils, and scrolling Ionic capitals.
George II carved pine and limewood chimneypiece with neoclassical design, fluted jambs, foliate swags, and urns on corner blocks.
George III pine and gesso chimneypiece with carved fruit baskets, urns, fluted jambs, laurel leaf capitals, and acanthus detailing.
Finely carved George III Kilkenny marble chimneypiece in the manner of Charles Robert Cockerell. Features a Roman tazza urn and intricate patera details.
Exceptional George III pine and gesso chimneypiece with musical motifs, lyre, laurel leaves, sphinxes, and acanthus carvings.
Late 18th-century Neoclassical chimneypiece in statuary and Siena marbles. Features wheat wreath, thyrsi, and intertwining ivy, c. 1790–1800.
Exceptional English Rococo chimneypiece by Sir Robert Taylor showcases rare, historically significant design with balanced, flowing elegance.
Late Georgian chimneypiece in Sienna and statuary marbles. Features a breakfront shelf, Jasper plaque with oak swag, and solid Siena pilasters.
Neoclassical chimneypiece from 1777-1791 commemorates peace between Britain and the US. Features Bacchantes, allegorical figures, and American symbols.
Early 18th-century Irish Kilkenny Fossil marble chimneypiece with a stylized keystone header. Elegant design and historical charm.
Mid 18th-century George II carved pine and gesso chimneypiece with gesso urns, fluted frieze, dentil molding, and oak leaves on jambs.
Exquisitely executed late 18th-century statuary marble chimneypiece with Sienna marble inlays, floral motifs, and Adam-style details.
Elegant 18th-century chimneypiece in Sienna and statuary marbles. Features a fruit-carved tablet, Ionic columns, and original Egg & Dart ingrounds.
19th-century pine chimneypiece in George II Revival style with elegant dentil-moulded shelf, pulvinated frieze, and refined floral lattice carving.
Handsome George II statuary and Sicilian Jasper marble chimneypiece by Thomas Carter I, circa 1750, with Aesop’s ‘Stork and Fox’ fable.
Mid-18th-century George II carved pine chimneypiece featuring Aurora’s head, acanthus frieze, and a tiered shelf with egg & dart mouldings, some restorations.
Refined 18th-century Neoclassical chimneypiece in painted timber, featuring a Kauffmann-inspired panel with Cupid, muses, and Corinthian capitals.
Late 18th-century Irish Neoclassical chimneypiece in statuary marble with book-matched Jasper. Features Tazza urn, acanthus leaves, and Roman urn carvings.
Important George II Kilkenny fossil marble chimneypiece by William Colles, 1751. Features Baroque patterns, scrolled pediment, and fossil details.
Splendid 18th-century Palladian carved stone chimneypiece, large and imposing, in the manner of William Kent. Circa 1740.
Exceptionally carved 18th-century Neoclassical chimneypiece in white statuary marble with Spanish Brocatelle inlays, featuring urns, laurel wreaths, and ornate friezes.
Late 18th century statuary marble chimneypiece with fluted columns, ionic capitals, anthemions, Blue John inlays, and a design inspired by Robert Adam.